Reactor coloide o fragua de trópico: Alvaro Cabrejo Torres

Overview
Lazaro submerged in tropical gold. A body marred by colloidal lacerations. The luminous miracle of the shroud of the Lord. A monument to labor in a loop. To mummify an image in motion.

The curtain is a paradoxical object: it appears gigantic and imposing in the middle of the stage, yet it represents nothingness, the prelude to the beginning, the void of the image, and the anticipation of the drama. As a protagonist, it becomes an effigy of intermediate states, as if the before and after of the play constitute the play itself in this case. In its form, the curves of the draped fabric also resemble an intermediate state of mobility, as if it were a frozen frame of a waterfall or solidified mist.

William Contreras Alfonso

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